Las óleos de todo RICCI, Marco
ID Image  Painting (From A to Z)       Details 
85104  
RICCI, Marco, Classical capriccio of Rome
  		 Classical capriccio of Rome   oil on canvas, 77 x 135.2 cm cyf
8906  
RICCI, Marco, Coastal View with Tower
  		 Coastal View with Tower   1715-20 Oil on canvas, 106,7 x 148,6 cm Private collection
8909  
RICCI, Marco, Landscape with River and Figures (detail)
  		 Landscape with River and Figures (detail)   c. 1720 Oil on canvas Gallerie dell'Accademia, Venice
8908  
RICCI, Marco, Landscape with River and Figures df
  		 Landscape with River and Figures df   c. 1720 Oil on canvas, 136 x 197 cm Gallerie dell'Accademia, Venice
41173  
RICCI, Marco, Landscape with Washerwomen
  		 Landscape with Washerwomen   mk157 c.1720 Oil on canvas 136x198cm
8910  
RICCI, Marco, Landscape with Washerwomen fdu
  		 Landscape with Washerwomen fdu   c. 1720 Oil on canvas, 136 x 198 cm Gallerie dell'Accademia, Venice
8907  
RICCI, Marco, Landscape with Watering Horses
  		 Landscape with Watering Horses   c. 1720 Oil on canvas, 136 x 198 cm Gallerie dell'Accademia, Venice
51997  
RICCI, Marco, Sacrifice to Silenus
  		 Sacrifice to Silenus   c. 1723 Oil on canvas, 56,5 x 73,5 cm
RICCI, Marco
Italian Painter, 1676-1730 Painter, printmaker and stage designer, nephew of (1) Sebastiano Ricci. He probably began his career in Venice in the late 1690s as his uncle's pupil, concentrating on history paintings (untraced). Having murdered a gondolier in a tavern brawl, he fled to Split in Dalmatia, where he remained for four years and was apprenticed to a landscape painter (Temanza, 1738). Once back in Venice (c. 1700) he put this training to use in painting theatrical scenery. Little is known about his early development, and it remains difficult to establish a chronology for his work. A group of restless, romantic landscapes (examples, Leeds, Temple Newsam House; Padua, Mus. Civ.), painted with lively, free strokes and formerly thought to represent his early period, have now been convincingly attributed (Moretti) to Antonio Marini (1668-1725). His earliest dated works, a tempera painting, View with Classical Ruins (1702; priv. col.), and a Landscape with Fishermen (1703; ex-Kupferstichkab., Berlin; untraced), are serene and classical, close in style to tempera paintings generally dated 1710-30. This suggests that Ricci's style did not develop much, and that strong classicizing tendencies,



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